As landscape photographers, we often foster an affectionate bond with our gear. Logically, our equipment is just a means to an end—tools that help us capture the world’s beauty. So why then do we often become sentimental, even loyal, to specific brands and equipment? And is this a good or bad thing? Let’s delve into this curious phenomenon.
1- The Genesis of Joy and Sentimentality: Every photographer remembers the moment they captured their first remarkable image—the one that made them think, “Wow, I did that.” For many, the brand and camera system they used at that pivotal moment become intrinsically linked with their newfound passion and pleasure. As time progresses and the initial excitement gradually fades into routine professional work, they fondly recall those early days of eager exploration. Sometimes, our minds can play tricks on us, attributing the joy of those moments to the equipment we were using.
2- Reliable Comrades Amid Harsh Elements: Landscape and outdoor photographers subject their cameras to demanding conditions: rain, snow, sand, and freezing temperatures. Yet, our cameras prove sturdy, even the entry-level ones are surprisingly robust compared to other consumer electronics. This reliability fosters a sense of trust in our gear.
3- Loyal Companions Through Adventures and Emotions: Perhaps the most significant factor contributing to our sentimentality is the companionship we share with our gear during our photographic journeys. Our cameras witness our explorations, discoveries, and the unique moments we capture. They help us freeze and cherish memories that resonate with us.
It’s not surprising, therefore, that we develop a sentimental attachment to our gear. Stellar images have been produced using every camera brand in the market. In today’s world, all cameras are abundantly capable. The photographer’s vision is the most critical element, BUT the photographer’s choice of gear, like a writer’s choice of pen and paper (or writing software), can also make a difference. Some writers still favor vintage typewriters or fountain pens, while others opt for cutting-edge software. They could all certainly use a basic, inexpensive pen and paper, but they each have their preferences. It’s fair to say that our chosen equipment forms part of a broader ritual for our craft.
These rituals, like internal behaviors, evolve and refine over time.
It’s completely okay, even beneficial, to feel sentimental about your camera gear as it may assist in attaining a flow-state more easily. The crucial point here is that these preferences are deeply personal. You may draw inspiration or learn new techniques that adjust your workflow, but it’s unlikely that your photography will be completely transformed just by duplicating another photographer’s kit. The essence of photography lies within you and your unique perspective on the world, the gear is just the medium you choose to express it.